Thursday, March 31, 2022

Psalm 22, Intro. to the Psalms (13) (Characteristics, 3)

g)    Technical Terms in the Psalm Titles

With each term we will give, in parenthesis, an example of each.

i)      Types of Psalms

(1)                        Mizmor: psalm, song rendered to accompaniment of instrumental music; from zamar, to pluck.  57 psalms so labeled (Ps. 3).

(2)                        Shir: song; simply a general term for vocal music. 27 psalms (of these, 15 are called shir- hamma'aloth or song of ascents) (Ps. 120).

(3)                        Maskil: didactic poem, contemplative poem.  13 psalms (Ps. 32).

(4)                        Mikhtam: disputed.  Might signify "a song of covering or atoning for sin.  6 psalms (Ps. 16).

(5)                        Tepillah: prayer. 5 psalms (Ps. 17,86,90,102,142).

(6)                        Tehillah: song of praise.  5 psalms (Ps. 145).

(7)                        Shiggayon: irregular or wandering song.  (Ps 7 & Hab 3).

ii)   Musical terms in the titles

(1)                        Lammenasseah: to the choir leader (chief musician; Ps. 11,140).

(2)                        Neginot: stringed instruments or songs to be sung to the accompaniment of stringed instruments (Ps. 55).

(3)                        Nehillot: wind instruments (Ps. 5).

(4)                        Sheminit: either an 8-string lute or possibly "an octave" (Ps. 12).

(5)                        Elamoth: maidens; may mean soprano or high pitch (cf. 1 Chron 15:20; Ps. 46).

(6)                        Mahalath: sickness/grief, may thus imply a song of lament (Ps. 53).

iii)            Melody indicators

(1)                        al mut lab-ben (Ps 9), may indicate some well-known song beginning w/the words, "The death of a son...".

(2)                        al-ayyelet hash-shahar means acc to the hind of the morning (Ps 22).

(3)                        Shushan or el shoshannim would refer to the lily & perhaps signified "to the lilies" (Ps. 60,80).

(4)                        al tashhet seems to mean "do not destroy", apparently a well-known song that began with these words & its melody was to be followed here (Ps. 57,58,59,75).

(5)                        al Yonat elem rehoqim apparently means "according to a dove of silence those who are afar off..." (Ps. 56).

Wednesday, March 30, 2022

Psalm 25, Intro. to the Psalms (12) (Characteristics, 2)

e)    Alphabetic Acrostics

i)      Psalms built around the Hebrew alphabet order in the opening letter of their succeeding lines, verses or stanzas.

ii)   Perhaps used to aid the memory for learning or reciting.

iii)            Psalms 9,10,25,34,37,111,112,119,145

(1)                        25 & 34 are the only ones building the acrostic on 22 letters.

(2)                        9 & 10 are joined by an irregular acrostic that runs through both.

(3)                        111 & 112 each have 10 verses w/22 lines on which each builds.

(4)                        145 has 21 verses, leaving out the nun (betw. vs.13 and 14)

(5)                        119 is the most elaborate having 22 stanzas of 8 verses each, all 8 verses begin with the same letter, a structural orderliness stressing the theme which is the Law of God.

f)   "Selah" and "Hallelujah"

i)      Selah:

(1)                        71 times in Psalms, (17 in Book 1, 30 in Book 2, 20 in Book 3, 4 in Book 5) and 3 in Habakkuk.

(2)                        End of a verse in all cases except 4.

(3)                        Meaning uncertain. 

(a) May derive from salah, to pause, or salal, to lift up.

(b)            Delitzsch: an interlude played by stringed instruments

(c) Aquila: as meaning "always, forever"

(d)            Jerome: classed it with "amen" or "peace" (Shalom)

(e) General view is that it calls for a pause or interlude of some kind.

(f)  Archer:

(i)   Most plausible: from root word meaning "lift up."

(ii)                        So it is not a word to be read aloud but a notice that the reciter should pause.

(iii)                     Perhaps the musical instruments would strike up or perhaps the singer would raise the pitch????

ii)   Hallelujah:

(1)                        This term is not found in most English versions of the OT.  In Rev. 19:1-6 it appears as "alleluia."

(2)                        Compound of 2 words: hallel and Yah (shortened form of Yahweh), meaning "praise the Lord."

(3)                        35 times in the Psalms.

(4)                        These groups of psalms are known as "hallel" or "hallelujah" Psalms.

(i)   111-113: each psalm begins, Praise the Lord.

(ii)                        115-117: each concludes with Praise the Lord.

(iii)                     146-150: each begins & ends with Praise the Lord.

(iv)                     105-106 also begin & end with Praise the Lord (if the last line of 104 is made the first of 105 as it apparently should be.)

Tuesday, March 29, 2022

Psalm 73, Intro. to the Psalms (11) (Characteristics)

9)    Characteristics of the Psalms

a)    Lyrics

i)      The Psalms are not just poems, but lyric poems. 

ii)   Def: "A short poem, originally meant to be sung, expressing the thoughts and especially the feelings of a single speaker."

iii)            Lyric poetry has 4 notable characteristics:

(1)                        It is musical.

(2)                        It is subjective or personal.

(3)                        It emphasizes emotions as one of its chief identifying traits.

(4)                        It is brief.

b)   Parallelisms

i)      Parallelism is the distinctive mark of Hebrew poetry.

ii)   There are 3 primary types of parallelism:

(1)                        Synonymous: 2nd statement says much the same as the first.

(2)                        Synthetic: 2nd adds to the first, goes beyond it.

(3)                        Antithetic: contrast to the first.

c)    Meter:

i)      Hebrew was not concerned about long/short syllables as Greek/Roman poetry.

ii)   Had no interest in accented syllables.

iii)            Concerned about words in a given line.

iv) Any one set pattern of accented words does not seem to prevail throughout any psalm.

d)   Imagery or Figures

i)      Simile: comparison, using "like" or "as" (1:3)

ii)   Metaphor: comparison w/o like or as (23:1)

iii)            Allegory: extended metaphors around a central theme (80:8ff)

iv) Metonymy: puts one word for another bec. the words are related in some way (73:9)

v)    Synecdoche: the whole is put for a part, or vice versa (52:4)

vi) Hyperbole: exaggeration used for emphasis (6:6)

vii)          Personification: speaks of inanimate objects or abstract ideas as having attributes of a living being (35:10)

viii)       Apostrophe: addresses absent persons or lifeless objects as though living & present (114:5-7)

ix) Anthropomorphism: speaks of God as having a human body (10:12)

x)    Anthropopathism: speaks of God as having human passions & feelings (6:1)

Monday, March 28, 2022

Psalm 45, Intro. to the Psalms (10) (Sons of Korah)

The Psalms of the Sons of Korah

1.              Let us consider these Psalms, 42-49, that are attributed to “the sons of Korah.”  Likely these Psalm titles refer to descendants of Levi, the son of Jacob, who were part of the musical ministry surrounding the temple.  Levi had 3 sons: Gershom, Kohath and Mereri.  Kohath had 4 sons.  The first, Amram, was father of Aaron and Moses.  The second, Ishar, had 3 sons, the oldest being Korah.  Korah died in a rebellion against the leadership of Moses and Aaron.  The Scripture is specific that his children did not die (Num. 26:9-11).  David selected three worship leaders, each a descendant of the three sons of Levi.  These three were Heman the singer, a descendant of Kohath; Asaph who stood at his (David’s) right hand, a descendant of Gershom; and on the left hand Ethan (referred to elsewhere as Jeduthan), a descendant of Merari.  (The detailed geneology of all three is in 1 Chronicles 6:31-48).  All three of these men were noted in the titles of various Psalms. 

2.              I see the eventual fulfillment of “the mystery of God” in these songs. The “mystery of God” is said to be fulfilled in “the days of the sounding of the seventh angel” (Rev. 10:7), a mystery declared to God’s servants the prophets.  That mystery is quite front and center in the Psalms, being clearly declared in Psalm 2 in God’s promise to make His Son the heir of all things and the ruler over His enemies.  Psalm 110 reveals that the Son’s session at the right hand of the Father is a time of waiting until all His enemies are placed under His feet.  This is a point in history and comes to its conclusion in the closing chapters of Revelation. 

3.              The Bible states that in those days Israel will be delivered from a time of terrible oppression by the nations and Christ, God’s Son, will assume the throne of David to rule all the nations from Zion.  His enemies will have been subdued.

4.              Consider Psalm 42-49 as to whether or not this very series of events is in view.

·       Psalm 42-43: The despairing saint is encouraged to “hope in God”.

·       Psalm 44: Israel is cast down and scattered among the nations.  From there she cries out to God for deliverance.

·       Psalm 45: The Messiah is exalted to His throne, as King forever.

·       Psalm 46: The raging nations are subdued.  Wars cease as the weapons of the nations are broken.

·       Psalm 47: The Lord Most High is the King of the earth, ruler of the nations.  “The shields of the earth belong to God.”

·       Psalm 48: Glorious is the City of God, Jerusalem, Zion, the seat of the Davidic King, the Messiah.

·       Psalm 49: The question is, “Why should I fear?”  It is directed to all the nations, “rich and poor” alike.  It is, appropriately, a strong call to faith.

5.              Perhaps you will want to spend some time in these Psalms and in the essential question for every person today: have you humbled yourself before the King, God’s Anointed One, His only Son.  As Psalm 2 implores us: Kiss the Son, lest He be angry and you perish in the way, when His wrath is kindled but a little.  Blessed are all those who put their trust in Him (v12).

Sunday, March 27, 2022

Psalm 57 (1 Samuel 22:1-5)

Can you think of a time in your life when you realized that a problem you were facing, and hoping would be dealt with quickly, was in fact going to continue to be part of your daily life for some time to come?  Perhaps, let’s say, you were being harassed by someone at your job-site.  You dealt with the issue through proper means and thought you had it worked out.  But now you find out upper management has reversed the decision of the Human Relations department and you are being required to continue working with this difficult person.

Now imagine that your problem is not simply a difficult relationship.  In fact your “problem person” is out to kill you.  This is the situation with David.  He has had to run from King Saul.  He had thought he could find safety among the Philistines (1 Samuel 21:10-15; cf. Day 41 on Psalm 56).  But that turned out to be a treacherous situation so he has now fled to the Judean desert, to the “cave of Adullam.”  It now hits him that he is going to be running for his life for some time to come.  This isn’t going to end soon.

When our test moves from a “test of faith” to a “test of faithfulness” we are faced with new or increased temptations.  The thought of taking a shortcut, one involving immorality or disobedience to the will of God, becomes stronger.  Perhaps for that reason David is yet again before his God to plead for mercy.

·         The plea: for mercy, v1-3.

·         The problem: he is among lions, v4.

·         The prayer: be exalted, O God, v5.

·         The prediction: they will receive recompense, v6.

·         The praise: for mercy, v7-10.

·         The prayer: be exalted, O God, v11.

Verse 1 in some ways summarizes the entire Psalm.  He needs a refuge until the calamities pass by.  David’s problem is going to go on longer than expected.

Did you see Who it is David calls on for help?  It is God who performs for me.

Notice that the prayer he prays while in trouble (v5) is the same as the prayer he prays as he anticipates God’s deliverance (v11).  That is because the prayer is certain to be answered by God.  David prays that God will glorify Himself.  That is always proper!

Many who read this are familiar with an often sung worship chorus that sets the words of this Psalm to music.  As David does here, perhaps it would be to the strengthening of our faith by singing those words to the Lord regularly as we pour out our hearts to Him.  If that is your heart then you will be set for a rough road, no matter how long the journey.

Be exalted, O God, above the heavens;

Let your glory be above all the earth.

Saturday, March 26, 2022

Psalm 56, Introduction to the Psalms (9) (Titles, 2)

 e)    Titles of the Psalms

i)      No title: 1,2,10,33,43,71,91,93-97,99,104-107,111-119,135-137,146-150

ii)   "A Psalm of David.  When...": 3,18,30,34,51,52,54,56,57,59,60,63,142

iii)            "A Psalm of David" + musical instructions: 4-6,8,9,11-14,19-22,31,39-41,53-62,64-70, 109,139,140

iv) "A Psalm of David concerning...": 7

v)    "A Psalm of David": 101,103,108,110 (Miktam: 15,16; Prayer: 17,86; Maskil: 23-29,32; Petition: 35,37,38; Songs of Ascents: 122,124,131,133; Praise: 138,141,143,144,145)

vi) "Of the sons of Korah" + musical instructions: 42,44,45 (wedding song), 46 (according to alamoth), 47-49, 84 (according to Gittith, 85,87,88 (cf. article on p. 17 of this introduction)

vii)          "A Psalm of Asaph": 50,73,74 (maskil), 75-77 (with musical instruments), 78,79,80-81 (with musical instruments), 82,83 (Ps. 73-83 all deal with Israel under the discipline of the LORD, ending with a call to repentance)

viii)       "Of Solomon": 72,127

ix) "Of Heman the Ezrahite": 88

x)    Of Ethan the Ezrahite": 89

xi) "Of Moses the man of God": 90

xii)          "For the Sabbath Day": 92

xiii)       "A Psalm": 98

xiv)        "A psalm, for giving thanks": 100

xv)          "A prayer of an afflicted man.  When...": 102

xvi)        "A song of Ascents": 120-134 (122,124,131,133 = David; 127 = Solomon)


f)   Occasions for David's Psalms ("When...", "Concerning...")

i)      3: he fled from Absalom

ii)   7: concerning Cush, a Benjamite

iii)            18: the Lord delivered him from Saul

iv) 30: for the dedication of the temple

v)    34: he pretended insanity before Abimelech

vi) 51: Nathan confronted him after the sin with Bathsheba

vii)          52: Doeg the Edomite told Saul about David being with the priest

viii)       54: Ziphites told Saul David was in their territory

ix) 56: Philistines seized him in Gath

x)    57: he fled from Saul into the cave

xi) 59: Saul sent men to watch his house to kill him

xii)          60: he fought Arameans, Joab struck 10,000 Edomites

xiii)       63: he was in the desert of Judah

xiv)        142: he was in the cave

Friday, March 25, 2022

Psalm 52, Introduction to the Psalms (8) (Titles, 1)

8)    Titles of the Psalms

As we said, classifying the Psalms is something done by students of the Psalms.  It can be quite helpful.  But “titles” are actually given to the Psalms in the Bible.  Or are they?  As you will note, most recognize that the titles were not original but were added later.  Then the question is, of course, can we rely on them?  In today’s post we will share thoughts on this question.  In the next post we will list the titles.

a)    Saxe:

i)      Not part of the original psalms but added later, probably at least before 200 BC. (A very late date compared to the other commentaries.)

ii)   Don't have weight of dependability as inspired text but the best rule of thumb to follow is to accept them as they stand.

b)   Leupold:  The fact that they do not belong to the text every student of Hebrew has long known.  However, they were in their day inserted by men in Israel who belonged to her trustworthy leaders.  This could have been done by men like Ezra ... demands that allowance be made for the fact that our knowledge of the events of David's life is quite limited, and that much supplementary information may be culled from the psalms.

c)    The Reliability of the Hebrew Psalm Titles (Archer)

i)      Critics disregard them.

ii)   But mature reflection should lead the investigator to an opposite conclusion.

(1)                        It is impossible to explain how any "later rabbis" would have ventured to attach titles of this sort to psalms whose text does not clearly reflect the situations in David's life which are assigned as settings for the compositions.

(2)                        The LXX is conclusive the titles were added long before Hellenistic times.

(3)                        The fact that some of the Hebrew technical terms were no longer understood can only lead to the conclusion that these particular words had fallen out of use so long before the 2nd century BC that the true meaning had been completely forgotten.

(4)                        In regard to the once-favored theory of Maccabean origin of the Psalms, we note that 1 Maccabees 7:17 has a passage from Ps 79:3 that quotes it as as Holy Scripture.  Thus, Psalms predates Maccabean times.

d)   5-fold function of the Psalm titles (Ellison)

i)      Titles describing the character of the Psalm.

ii)   Titles giving musical instruction.

iii)            Titles indicating liturgical use.

iv) Titles relating authorship.

v)    Titles describing its original setting.

Thursday, March 24, 2022

Psalm 35, Introduction to the Psalms (7) (Imprecatory)

c)    Pilgrim/Songs of Ascents (Archer)

i)      Jewish tradition refers them to a semicircular flight of steps leading to the court of men in the temple.

ii)   Most likely refers to stages of pilgrimage to Jerusalem during the annual feast days.

d)   Imprecatory (Leupold)

i)      Def: psalms in which the writer prays that God may afflict the evil doer and punish him acc to his desserts.  Ps 35,69,109 have the longest portions.

ii)   The Issue of Retribution.

(1)                        Dt 32:35; Prov 25:21f; Rom 12:19-20: God is a God of vengeance.

(2)                        David had an exemplary spirit of tolerance & forgiveness (e.g. Saul).

(3)                        The objects of retribution are enemies of God's people & God's cause.

(4)                        By this prayer David moves the matter from his hands into God’s.

(5)                        In some instances the writer is concerned about the ultimate conversion of the evildoers (2:10-12)

(6)                        He may have in mind …

(a) the vindication of God's cause (79:10)

(b)            not having the wicked despise God (10:12f)

(c) having the righteous take courage (35:26f)

(d)            having the wicked taught to fear God (64:7-9)

(7)                        Other notes:

(a) The evil that is wished on the enemy is something they fully deserve both on the score of just retaliation as well as on the score of prevailing rules of warfare.

(b)            It appears to him that the only way to get relief is to have the enemy completely humbled or even utterly destroyed.

(c) The Psalmists in no wise minimized or overlooked their own guilt but confessed it and cast themselves on the mercy of God.

(i)   The NT has striking points of similarity (2 Tim 4:14: Alex the coppersmith; Ac 23:2: before Annas Paul speaks sharply; Ac 8:20: Peter against Simon Magus.)

(8)                        Discretion is called for in our day:

(a) We must not forget to pray for the conversion of the persons who are engaged in these lines of business.

(b)            We must pray for and love our enemies.  (Matt. 5:43-48)

Wednesday, March 23, 2022

Psalm 8, Introduction to the Psalms (6) (Classifications)

7)    Classifications of the Psalms

By “classification” we refer to different types of Psalms.  Lists like this vary according to a student’s understanding of the Psalms.  We will present this in “outline” form.  After the general list, we will add details to some of the categories.

a)    General

i)      Didactic (teaching; e.g. 1,5,7,15,17,50,73,94,101)

ii)   History (e.g. 78,105,106,136)

iii)            Hallelujah/Hillel (usually begin and/or end with “praise the LORD;” e.g. 106,111-113,115-117,135,146-150)

iv) Penetential (confession of sin; e.g. 6,32,38,51,102,130,143)

v)    Supplication (making request; e.g. 86)

vi) Thanksgiving (e.g. 16,18)

vii)          Messianic: in these not only is Christ referred to but He actually speaks.

(1)                        Christ as royal Messiah: 2,18,20-21,45,61,72,89,110,132

(2)                        Christ as suffering Messiah: 22,35,41,55,69,109

(3)                        Christ as Son of Man: 16,40

(4)                        Others: 23-24,31,50,68,96-98,102,118

viii)       Nature (emphasize creation; e.g. 8,19,29,33,65,104)

ix) Pilgrim (e.g. 84,120-134)

x)    Imprecatory (e.g. 35,52,58-59,69,83,109,137,140)

b)   Messianic (Ellison)

i)      Messiah's Person

(1)                        As Man (8:4-5; Heb 2:6-8)

(2)                        As God (45:6,11; Hb 1:10)

(3)                        As Eternal (102:25-27; Hb 1:10)

(4)                        As Son of God (2:7,12; Mt 22:45; Hb 1:5)

ii)   Messiah's Character

(1)                        Gracious (72:4,12-14; Mt 11:5; 12:20)

(2)                        Righteous (45:7; Hb 1:10)

(3)                        Holy (89:18-19)

iii)            Messiah's Work

(1)                        In life (40:6-8; Hb 10:5-7)

(2)                        In death (22; the Four Gospels)

(3)                        In resurrection (16:10; Ac 13:33-36)

(4)                        In ascension (68:18; Eph 4:8)

(5)                        In judgment (72:2-14; 86:13; 98:9; 2 Thess 1:7-9; Rev 19)

(6)                        In reigning (72:8; 96:10; 103:19; Rev 19:16)

iv) Messiah's Offices

(1)                        As Prophet (22:22; 40:9-10; Heb 2:12)

(2)                        As Priest (110:4; Hb 5:6)

(3)                        As Judge (72:2; 96:10-13; Mt 25:32; Rev 19:11; 20:11)

(4)                        As King (2:6; 89:27; Mt 25:31-34; 27:11; Rev 19:16)